film

Video: James Cagney's 1932 flick 'Taxi' is quite a ride

"TAXI." (1932. NOT RATED.THE WARNER ARCHIVE. $19.99)

There is nothing more buoyant, dangerous or irrepressible than James Cagney in his first years of stardom. Every film he did between 1931 and 1934 is worth seeing. Each one is a delight.

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Family Glance: 'The Vow,' 'Journey 2: The Mysterious Island' and more

A guide to movies from a family perspective:

"The Vow"

-- Rated: PG-13.

-- Suitable for: Mature tweens and older.

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Family Glance: 'Big Miracle,' 'The Woman in Black' and more

A guide to movies from a family perspective:

"Big Miracle"

-- Rated: PG.

-- Suitable for: Children 6 or 7 and up, if they can sit attentively through a 107-minute movie.

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Video: 'Tokyo Drifter' and 'Branded to Kill'

The Criterion Collection has revamped two of its earliest titles -- Seijun Suzuki's delirious, excessive, self-conscious mid-1960s film noirs were first released on DVD in 1999 -- into gloriously restored high-definition transfers (available in both Blu-ray and DVD).

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Family Glance: 'Man on a Ledge,' 'Extremely Loud' and more

A guide to movies from a family perspective:

"Man on a Ledge"

-- Rated: PG-13.

-- Suitable for: Teens and older.

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Profile: Glenn Close on 'Albert Nobbs'

Glenn Close studied Charlie Chaplin's films in preparing to play a woman disguised as a male butler in the period piece "Albert Nobbs," based on the short story by George Moore.

"I always felt there was a clownish element to Albert," says Close, who won an Obie when she first played the character onstage 30 years ago.

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Video: 'Dragon Tattoo' trilogy; Robert Montgomery's early career

"DRAGON TATTOO TRILOGY EXTENDED EDITION." (VARIOUS DATES. NOT RATED. MUSIC BOX FILMS. $79.95.)

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Family Glance: 'Extremely Loud,' 'Joyful Noise' and more

A guide to movies from a family perspective:

"Extremely Loud & Incredibly Close"

-- Rated: PG-13.

-- Suitable for: Teens and up.

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Film: Which player at Slamdance festival will run with the big dogs?

Almost every year, it seems a film that screened at the Slamdance Film Festival, or an alum who wrote or directed a film there, starts to run with the big dogs.

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